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Axl's horrible vocals during this tour finally going viral!!! [Negative articles about GNR]

This could be GNR's last tour. 
 

Then Limp Bizkit will rise to power. 
 

I enjoyed GNR's sabbath show set.

Axl seemed more enthusiastic, he was ad libbing Yeah bois. 
 

 
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Whats Neil Young having a whinge about now?. Dudes how old and still wants to virtue signal and protest.

Just shut up and play your music.

 
Live Review: Black Sabbath: Back To The Beginning [Villa Park, 5th July 2025]

Now Guns N’ Roses. FOUR Black Sabbath covers to open including ‘Sabbath Bloody Sabbath’ and even two Never Say Die tracks, this should’ve been a set for the ages however Axl’s voice and a few technical issues let them down. When they reached ‘Welcome to the Jungle’ the crowd were bouncing, yet Axl was massively out of time and just threw the whole thing off. It’s a shame but that’s Guns N’ Roses in 2025.

 
Atlas and Nothing are two songs extremely easy for Axl to sing and they won't perform or release them.  That's how fucking retarded they are.  A couple new songs could change the narrative but I guess they just can't figure out the right marketing plan.  The greatest front man in my lifetime being remembered as a joke is actually pretty sad imo.

 
Trumpy Bear said:
Atlas and Nothing are two songs extremely easy for Axl to sing and they won't perform or release them.  That's how fucking retarded they are.  A couple new songs could change the narrative but I guess they just can't figure out the right marketing plan.  The greatest front man in my lifetime being remembered as a joke is actually pretty sad imo.
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I believe they have debuted all their new material since the regroupening in America. 

 
MAGATRON said:
I believe they have debuted all their new material since the regroupening in America. 
Click to expand...


That's why I was surprised they even had new singles on the setlist. It's both sad and funny that for the 2nd straight European tour, they have singles ready to go and then don't play them. I assume Axl is waiting til the Brazilian shows now...

 
They could have released them as part of the tour as a trial run and to make up for the tour disaster back in 2022, but nope.

And the band wonder why they are getting shit reviews. 

If they released the singles it might take away the piss poor reviews they are getting.

They are going to milk this GH reunion tour until they have no-one buying tickets anymore.

 
Back To The Beginning – The Review; A Celebration Of Ozzy Osbourne and Black Sabbath

Unfortunately. It’s around this point that the quality takes perhaps the only real nose dive of the day. Just twelve days ago the seven-piece behemoth that is Guns N’ Roses (4) in 2025 were headlining this very stadium as part of their ongoing world tour, in a show that proved rather impressive given the band’s patchy live output since their 2016 classic lineup “reunion”. And whilst today sees a more stripped-back version of the LA veterans minus keyboardists Dizzy Reed and Melissa Reese crank out a mere six songs (including four Sabbath cuts) versus their usual three-hour epics, that feels like a blessing of sorts given the unfortunate state of one W. Axl Rose. Where at that show he was fairly solid, this occasion sees the return of the strangled cat on helium/Mickey Mouse/Herbert-from-Family-Guy/Towelie-from-South-Park soundalike Axl we’ve all come to dread.

Making things worse is the fact that the band seem to have picked a set almost entirely reliant on his diminished higher vocal range, rather than that still-mostly-solid low end normally found on the likes of Mr Brownstone. Whilst an opening piano-led version of It’s Alright is certainly an interesting pick for a show mostly based around the power of riffs and perhaps an apt title, it might actually be the only time you could describe this set as such. A trio of Sabbath cuts including Never Say Die, ultra-rarity Junior’s Eyes and Sabbath Bloody Sabbath complete the band’s tribute efforts but, to put it bluntly, Rose sounds completely off both vocally and at points timing-wise pretty much throughout, which is a tragedy considering how good the instrumental quartet of guitarists Slash and Richard Fortus, bassist Duff McKagan and newly-recruited drummer Isaac Carpenter sound jamming the backbone of these tracks. It’s enough to make you yearn for the days when Slash’s solo band still performed GNR material, just to hear something vaguely approximating in-tune vocals.

Not even a closing pairing of bona-fide GNR classics Welcome To The Jungle and Paradise City can rescue things on this occasion, as Rose seems unable to hit almost any correct notes, and anyone present for the band’s prior show here is surely left baffled as to how far things have fallen in the span of a few days as the band leave the stage. A bit of a damp squib then, to put things lightly, and one certainly not helped by both the stunning Slayer set preceding them and things still to come. 

 
DaddyDont said:
Back To The Beginning – The Review; A Celebration Of Ozzy Osbourne and Black Sabbath

Unfortunately. It’s around this point that the quality takes perhaps the only real nose dive of the day. Just twelve days ago the seven-piece behemoth that is Guns N’ Roses (4) in 2025 were headlining this very stadium as part of their ongoing world tour, in a show that proved rather impressive given the band’s patchy live output since their 2016 classic lineup “reunion”. And whilst today sees a more stripped-back version of the LA veterans minus keyboardists Dizzy Reed and Melissa Reese crank out a mere six songs (including four Sabbath cuts) versus their usual three-hour epics, that feels like a blessing of sorts given the unfortunate state of one W. Axl Rose. Where at that show he was fairly solid, this occasion sees the return of the strangled cat on helium/Mickey Mouse/Herbert-from-Family-Guy/Towelie-from-South-Park soundalike Axl we’ve all come to dread.

Making things worse is the fact that the band seem to have picked a set almost entirely reliant on his diminished higher vocal range, rather than that still-mostly-solid low end normally found on the likes of Mr Brownstone. Whilst an opening piano-led version of It’s Alright is certainly an interesting pick for a show mostly based around the power of riffs and perhaps an apt title, it might actually be the only time you could describe this set as such. A trio of Sabbath cuts including Never Say Die, ultra-rarity Junior’s Eyes and Sabbath Bloody Sabbath complete the band’s tribute efforts but, to put it bluntly, Rose sounds completely off both vocally and at points timing-wise pretty much throughout, which is a tragedy considering how good the instrumental quartet of guitarists Slash and Richard Fortus, bassist Duff McKagan and newly-recruited drummer Isaac Carpenter sound jamming the backbone of these tracks. It’s enough to make you yearn for the days when Slash’s solo band still performed GNR material, just to hear something vaguely approximating in-tune vocals.

Not even a closing pairing of bona-fide GNR classics Welcome To The Jungle and Paradise City can rescue things on this occasion, as Rose seems unable to hit almost any correct notes, and anyone present for the band’s prior show here is surely left baffled as to how far things have fallen in the span of a few days as the band leave the stage. A bit of a damp squib then, to put things lightly, and one certainly not helped by both the stunning Slayer set preceding them and things still to come. 
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"helium/Mickey Mouse/Herbert-from-Family-Guy/Towelie-from-South-Park soundalike Axl we’ve all come to dread"

With the constant milking of the reunion touring even the media are sick of them. 

Keep the shit reviews coming!!!!! :pepehappy:

 
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