C
Caram mixed it.
He mixed Absurd and you can hear clipping right on the 5 second mark.
One of the biggest audible fuckups on CD is no bass.
The end CD result didnt need the multiple layers, orchestras and other recorded shit.
The 2000 village recordings required no further work.
Axl was right, the final disk he handed in during 99 needed to be mixed and released.
I think both the Beavan and RTB could've worked.
The Beavan record would've been a raw, punk industrial, Finck Tommy based album, but it would be like a new band's aggressive debut album and not sound much like GNR. Chidem, IRS and The Blues might've been enough for singles. But the rec comp said there was No single and were trying to sell 20 mil copies. Let's get the Queen producer in!
And for sure Ezrin was wrong about the RTB album, Axl says he's "ready to mix" you just do it. Chidem, IRS, The Blues, TWAT, Catcher, Madagascar are enough for a GNR album with filler like Riad and Silkworms to spice it up. Maybe Shackler's, Better weren't finished so Ezrin thought not enough commercial appeal for the Nu metal market. But to me, GNR fans don't care that much about commercial songs. songs like Paradise City, Nov Rain, Estranged, Coma, It's so Easy and all the album tracks like Bad O or Perfect Crime aren't obviously commercial - a GNR album isn't full of obvious commercial hits wall to wall. Ezrin didn't understand GNR, he was trying to force them into the nu metal formula. CD does end up sounding like an album of it's time, with Ron's prog rock solos making more contemporary sounding than just a 90s retro alt rock album - which I think might've been better.
Main problem on CD is Axl's vocals are on same level as rest of instruments. In other words it's not classic hard rock mix, where a pocket is created for vocalist to be heard, it's more like nu metal where the studio enhanced vocals fight the heavy riffs. Axl only wins vocally on ITW, Sorry, TIL and these should've been the singles.
Isn't Clipping used in rock punk to add rougher, grittier sound to a song. On Absurd I can see them wanting it choppy and chaotic, imperfect like a punk collage. It's hard to know, but I think they were going for chaotic energy more than Trent Reznor or Korn or even Maiden do.